Creative Video LUT Bundle
This bundle includes 5 .cube creative file LUTs, offering a variety of tones to give your footage that extra push for the mood you want to achieve. These files will work in any NLE, with whatever camera you shot with.
It’s highly recommended you adjust the strength of the LUT, based on the footage and your needs. Premiere Pro users should import these in using the Lumetri Color panel, through the “Creative Look” tab.
The Creative LUTs:
Vibrancy: Adds a color boost for a clean look.
Recompose: Provides a warm, contrasted, almost Fall-like look.
Nostalgic: A soft and neutral 90s indie film-like look.
Kinalas: A heavy, warm and vibrant indie film-like look.
Detached: A mostly neutral, desaturated and somewhat cold look.
When shooting your footage, expose along the middle of your exposure meter in LOG, or slightly under or over if shooting in a Standard profile (-1.3 or +1.3).
Please note: These are creative LUTs (for Color Grading), not rec.709 conversion LUTs (for Color Correction). If you’re shooting in the LOG format, please convert your footage to rec.709 before applying these creative LUTs.
This bundle includes 5 .cube creative file LUTs, offering a variety of tones to give your footage that extra push for the mood you want to achieve. These files will work in any NLE, with whatever camera you shot with.
It’s highly recommended you adjust the strength of the LUT, based on the footage and your needs. Premiere Pro users should import these in using the Lumetri Color panel, through the “Creative Look” tab.
The Creative LUTs:
Vibrancy: Adds a color boost for a clean look.
Recompose: Provides a warm, contrasted, almost Fall-like look.
Nostalgic: A soft and neutral 90s indie film-like look.
Kinalas: A heavy, warm and vibrant indie film-like look.
Detached: A mostly neutral, desaturated and somewhat cold look.
When shooting your footage, expose along the middle of your exposure meter in LOG, or slightly under or over if shooting in a Standard profile (-1.3 or +1.3).
Please note: These are creative LUTs (for Color Grading), not rec.709 conversion LUTs (for Color Correction). If you’re shooting in the LOG format, please convert your footage to rec.709 before applying these creative LUTs.